Musical theater has long been a beloved form of entertainment, captivating audiences with its blend of music, dance, and storytelling. The Tony Awards, presented annually by the American Theatre Wing and The Broadway League, recognize the best of Broadway productions. The award for Best Musical is one of the most prestigious in the industry, honoring the most outstanding new musical of the year.

This article will take you on a journey through the history of Best Musical Tony winners, from the early days of Broadway to the present day. We’ll explore the iconic shows that have won this coveted award, highlighting their groundbreaking artistry and timeless appeal.
The Evolution of Best Musical
The Tony Award for Best Musical was first awarded in 1949, recognizing the original Broadway production of “Kiss Me, Kate.” Since then, the award has been presented to a diverse range of musicals, each bringing its own unique vision and style to the stage.
Golden Age Classics
The 1940s and 1950s marked a golden age for musical theater, with several groundbreaking shows winning the Tony Award for Best Musical. These classics continue to be performed and beloved by audiences around the world:
- “Oklahoma!” (1943): This landmark musical by Rodgers and Hammerstein revolutionized the genre with its integrated songs and plot, setting a new standard for musicals to come.
- “South Pacific” (1949): Another Rodgers and Hammerstein masterpiece, “South Pacific” tackled serious themes of racism and war, while featuring unforgettable songs like “Some Enchanted Evening.”
- “The King and I” (1951): Rodgers and Hammerstein’s third consecutive Tony winner, “The King and I,” showcased their ability to blend Eastern and Western cultures with beautiful music and an epic story.
- “My Fair Lady” (1956): A musical adaptation of George Bernard Shaw’s play “Pygmalion,” “My Fair Lady” is known for its witty lyrics and charming characters.
Rock ‘n’ Roll Era
The 1960s and 1970s saw a new wave of musicals, influenced by the rise of rock ‘n’ roll and pop music. These shows were characterized by their energetic scores and contemporary themes:
- “Hair” (1968): A groundbreaking counterculture musical, “Hair” featured a rock score and explored themes of peace, love, and rebellion.
- “A Chorus Line” (1975): Dubbed a “singular sensation” in its opening number, “A Chorus Line” is a poignant and introspective look at the lives of dancers auditioning for a Broadway show.
- “Annie” (1977): Based on the popular comic strip, “Annie” is a heartwarming musical about an orphan who finds her way in New York City.
Modern Masterpieces
In recent decades, Broadway musicals have continued to evolve, showcasing a wide range of styles and subject matter. Here are some of the most acclaimed Best Musical Tony winners from the modern era:
- “The Producers” (2001): A hilarious satire of the Broadway theater world, “The Producers” features a star-studded cast and unforgettable songs.
- “Wicked” (2003): A prequel to the classic “The Wizard of Oz,” “Wicked” offers a fresh perspective on the characters and themes of the original story.
- “Hamilton” (2015): Lin-Manuel Miranda’s groundbreaking hip-hop musical about the founding father, “Hamilton” has become a cultural phenomenon, winning multiple Tony Awards and a Pulitzer Prize.
- “The Book of Mormon” (2011): A controversial yet highly successful musical, “The Book of Mormon” satirizes organized religion and features a hilarious and thought-provoking script.
Table 1: Tony Winners for Best Musical (1949-1960)
Year | Musical | Composer | Lyricist | Book Writer |
---|---|---|---|---|
1949 | Kiss Me, Kate | Cole Porter | Samuel and Bella Spewack | Samuel and Bella Spewack |
1950 | South Pacific | Richard Rodgers | Oscar Hammerstein II | Oscar Hammerstein II and Joshua Logan |
1951 | The King and I | Richard Rodgers | Oscar Hammerstein II | Oscar Hammerstein II |
1952 | Pal Joey | Richard Rodgers | Lorenz Hart | John O’Hara |
1953 | Wonderful Town | Leonard Bernstein | Betty Comden and Adolph Green | Betty Comden and Adolph Green |
1954 | The Pajama Game | Richard Adler and Jerry Ross | Richard Adler and Jerry Ross | George Abbott and Richard Bissell |
1955 | Damn Yankees | Richard Adler and Jerry Ross | Richard Adler and Jerry Ross | George Abbott and Douglass Wallop |
1956 | My Fair Lady | Frederick Loewe | Alan Jay Lerner | Alan Jay Lerner |
1957 | The Music Man | Meredith Willson | Meredith Willson | Meredith Willson |
1958 | West Side Story | Leonard Bernstein | Stephen Sondheim | Arthur Laurents |
1959 | Gypsy | Jule Styne | Stephen Sondheim | Arthur Laurents |
1960 | Fiorello! | Jerry Bock | Sheldon Harnick | Jerome Weidman and George Abbott |
Table 2: Tony Winners for Best Musical (1961-1980)
Year | Musical | Composer | Lyricist | Book Writer |
---|---|---|---|---|
1961 | The Unsinkable Molly Brown | Meredith Willson | Meredith Willson | Richard Morris |
1962 | How to Succeed in Business Without Really Trying | Frank Loesser | Frank Loesser | Abe Burrows, Willie Gilbert, and Jack Weinstock |
1963 | A Funny Thing Happened on the Way to the Forum | Stephen Sondheim | Stephen Sondheim | Burt Shevelove and Larry Gelbart |
1964 | Hello, Dolly! | Jerry Herman | Jerry Herman | Michael Stewart |
1965 | Fiddler on the Roof | Jerry Bock | Sheldon Harnick | Joseph Stein |
1966 | Man of La Mancha | Mitch Leigh | Joe Darion | Dale Wasserman |
1967 | Cabaret | John Kander | Fred Ebb | Joe Masteroff |
1968 | Hair | Galt MacDermot | Gerome Ragni and James Rado | Gerome Ragni and James Rado |
1969 | 1776 | Sherman Edwards | Sherman Edwards | Peter Stone |
1970 | Applause | Charles Strouse | Lee Adams | Betty Comden and Adolph Green |
1971 | Follies | Stephen Sondheim | Stephen Sondheim | James Goldman |
1972 | Two Gentlemen of Verona | Galt MacDermot | John Guare | Mel Shapiro |
1973 | A Little Night Music | Stephen Sondheim | Stephen Sondheim | Hugh Wheeler |
1974 | Raisin | Judd Woldin | Robert Brittan | Robert Nemiroff and Charlotte Zaltzberg |
1975 | A Chorus Line | Marvin Hamlisch | Edward Kleban | James Kirkwood Jr. and Nicholas Dante |
1976 | Pacific Overtures | Stephen Sondheim | John Weidman | John Weidman |
1977 | Annie | Charles Strouse | Martin Charnin | Thomas Meehan |
1978 | Ain’t Misbehavin’ | Fats Waller | Various | Richard Maltby Jr. and Murray Horwitz |
1979 | Sweeney Todd: The Demon Barber of Fleet Street | Stephen Sondheim | Hugh Wheeler | Stephen Sondheim |
1980 | Evita | Andrew Lloyd Webber | Tim Rice | Tim Rice |
Table 3: Tony Winners for Best Musical (1981-2000)
Year | Musical | Composer | Lyricist | Book Writer |
---|---|---|---|---|
1981 | 42nd Street | Harry Warren | Al Dubin | Michael Stewart and Mark Bramble |
1982 | Nine | Maury Yeston | Arthur Kopit | Maury Yeston and Arthur Kopit |
1983 | Cats | Andrew Lloyd Webber | T.S. Eliot | Trevor Nunn and Richard Stilgoe |
1984 | La Cage aux Folles | Jerry Herman | Jerry Herman | Harvey Fierstein |
1985 | The Big River | Roger Miller | Roger Miller | William Hauptman |
1986 | Me and My Girl | Noel Gay | L. Arthur Rose | Douglas Furber and Stephen Fry |
1987 | Les Misérables | Claude-Michel Schönberg | Alain Boublil and Herbert Kretzmer | Alain Boublil and Claude-Michel Schönberg |
1988 | The Phantom of the Opera | Andrew Lloyd Webber | Charles Hart and Richard Stilgoe | Richard Stilgoe and Andrew Lloyd |