Audition Songs for Mezzo Sopranos: A Comprehensive Guide
3 mins read

Audition Songs for Mezzo Sopranos: A Comprehensive Guide

Introduction

Mezzo sopranos possess a rich and versatile voice type that can effortlessly navigate both the lower and middle vocal registers. When selecting audition songs, mezzo sopranos must showcase their vocal agility, expressive range, and technical proficiency. This guide provides a comprehensive selection of audition songs explicitly tailored to mezzo soprano voices, empowering you to make a lasting impression at your next audition.

How Long Until June 27? Countdown to June 27 Time Zones FAQs

Classical Audition Songs

Handel’s “Ombra mai fù” (from Xerxes)

  • Tessitura: A3-F5
  • Range: 11 semitones
  • Key: F major
  • Features: Lyrical, florid, and demanding vocal acrobatics

Rossini’s “Una voce poco fa” (from The Barber of Seville)

  • Tessitura: A3-F5
  • Range: 11 semitones
  • Key: D major
  • Features: Energetic, agile, and characterized by rapid runs and trills

Mozart’s “Voi che sapete” (from The Marriage of Figaro)

  • Tessitura: G3-E5
  • Range: 11 semitones
  • Key: D major
  • Features: Intimate, expressive, and showcases a nuanced vocal interpretation

Contemporary Audition Songs

Stephen Sondheim’s “Not While I’m Around” (from Sweeney Todd)

  • Tessitura: Ab3-F5
  • Range: 11 semitones
  • Key: Eb major
  • Features: Dramatic, passionate, and requires a strong acting ability

Andrew Lloyd Webber’s “I Dreamed a Dream” (from Les Misérables)

  • Tessitura: G3-E5
  • Range: 11 semitones
  • Key: Eb major
  • Features: Heartfelt, emotionally charged, and showcases a wide vocal dynamic range

John Kander and Fred Ebb’s “All That Jazz” (from Chicago)

  • Tessitura: A3-F#5
  • Range: 11 semitones
  • Key: Bb major
  • Features: Uptempo, energetic, and requires strong dance skills

Art Song Audition Songs

Johannes Brahms’ “Von ewiger Liebe” (Op. 43, No. 1)

  • Tessitura: G3-D5
  • Range: 11 semitones
  • Key: G minor
  • Features: Romantic, introspective, and requires a deep understanding of text

Richard Strauss’ “Morgen!” (Op. 27, No. 4)

  • Tessitura: Ab3-F5
  • Range: 11 semitones
  • Key: G major
  • Features: Light, airy, and showcases a playful vocal style

Francis Poulenc’s “Les chemins de l’amour” (Fêtes galantes, No. 1)

  • Tessitura: G3-D5
  • Range: 11 semitones
  • Key: Bb major
  • Features: Atmospheric, evocative, and requires a strong sense of rhythm

Additional Tips for Selecting Audition Songs

  • Consider your vocal range and tessitura. Mezzo sopranos typically have a range of around 11 semitones, with a lower tessitura that is more comfortable than the upper.
  • Showcase your vocal versatility. Choose songs that highlight both your lyrical and dramatic qualities.
  • Prepare thoroughly. Practice your songs diligently, paying attention to diction, intonation, and technical aspects.
  • Dress professionally. Your appearance at the audition can make a positive impression.
  • Prepare a brief introduction. Briefly introduce yourself, including your name, vocal range, and any previous performance experience.

Conclusion

Choosing the right audition songs is crucial for a successful audition. By carefully selecting pieces that showcase your unique vocal abilities, you can increase your chances of making a lasting impression and securing the role you desire. Whether you’re auditioning for classical or contemporary repertoire, the songs presented in this guide offer a wealth of options to help you shine.